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Dive into my enchanting universe: Optical and Kinetic Art in 3D by Virginie Schroeder

Introduction

Forget everything you know about art. Let yourself be transported by my unique painting-sculptures, an immersive experience where illusion and movement converge to create a hypnotic dance before your eyes.

Explore the depths of your perception

Each painting is an original and vibrant creation, which I paint and sculpt by hand with love, passion, and patience. Admire the moving shapes, vibrant colors, and play of light that captivate attention and invite exploration.

An unforgettable sensory journey

Feel the thrill of discomfort and the pleasure of discovery. Let yourself be carried away by fluid movements and hypnotic vibrations that transport you into a dreamlike world.

Art as a mirror of the soul

Discover my inspirations and reflections, expressed through bold lines and deconstructed forms. Each artwork is an invitation to explore the depths of the human soul.

More than just a painting, a unique experience

My art is not to be told, it is to be experienced. Immerse yourself in my fascinating universe and order a customized creation that reflects your desires and emotions.

Treat yourself to an extraordinary artistic experience and let yourself be enchanted by the magic of optical and kinetic art in 3D.

Feel free to contact me for more information about my art and inspirations.

My art and my 3D canvas sculptures is a unique and original optical and kinetic art experience, which exploits the propensity for errors of the eye through distortions or optical illusions. All my paintings are unique and original creations painted and sculpted by hand with love, passion, and patience.

The paintings and sculptures on the canvas are animated by action.

The illusion effect produced by my artworks is completely virtual, only engraved on the surface of the retina. The eyes are the engine of the artwork. There is no mechanical and electrical motor in the artwork, only the human motor and vision.

My painting-sculptures are figurative and abstract.

These artworks give the impression of movement, brilliance, vibration, or alternate motion. These visual temptations place the viewer's body in an unstable state, between pleasure and discomfort, and fall into a vertigo close to a moderate state of intoxication. This phenomenon is sometimes reinforced by the monumental characteristics of the piece, sometimes by the environment. My art must be built on the basis of many experiences in order to achieve the ideal freedom and to face the routines of daily activities.

Time determines quality, the constraints imposed by the subject occasionally hinder creative spirit, and the continuity of style, all these obstacles hinder personality. I have done my best to resist all these external factors and I have tried to broaden my field of activities by forcing myself to engage in experimental work that often violates the domain of philosophy and science.

Only through the integration of various elements, the decantation, can graphic art achieve its evolution through new paths and expressions. My obvious tendency toward experimentation, or better yet, my preference for imaginative science, comes from my imagination and artistic experience. I did not limit my experimental activities to a purely artistic framework, on the contrary, I exceeded this limit as much as possible day after day, work after work.

The human eye sees through emotions and signals, which is why flat geometry or balanced composition is too logical to generate the power needed to trigger the eye's response.

Interest in graphic art has become the most important means of disseminating messages and disseminating culture.

Every day, by reading or watching television, consciously or unconsciously, we receive useful or consumptive information. Art and graphic design allow us to absorb communication.

First of all, my research is limited to creating completely deconstructed portraits with very blurry lines to awaken the power of observation and creative spirit.

Then, I started to better define my themes to better define the process of thought and imagination, and finally I deconstructed them again to rediscover the deep meaning of my emotions through the lines.

In order to compete with the logic imposed by the eyes, the reality of the image or symbol is visually modified.

Careful observation will reveal new discoveries, beyond logical rules, without geometric restrictions, and without any structure. Then, visual play is achieved because of dynamics, individuality, and "uniqueness", which are generally arranged in an ordered geometric space.

Breaking the unity of space creates a stronger sense of tension because they provoke physical discomfort and the process of redefining our personality that follows, and finally, they stimulate the completion of the proposed image. These are the basic phenomena of visual communication and deconstructed art.

However, it can be said that even an expression, an action, or a simple gesture of the human body can produce a feeling of tension.

This tension is equal to the effect produced by a certain space, or the balance of white and black, or color, or the effect produced by words that express or do not express.

Here are the inspirations and questions that I have generated in my daily work in the studio, and the experience I want to live in discovering my art.

My art seems complex to understand when explained with words and experiences.

To fully understand it, you must experience the real and the unreal and bring my painting sculptures to life through your eyes in real life.

Virginie Schroeder also offers you the experience of custom ordering. A painting, a custom-painted and sculpted canvas according to your desires and wishes with the colors you love.